Camera Movement Techniques- http://www.videomaker.com

Here I have found a website that gives explanations about what camera techniques we have used and also some that we haven't used as yet, these are the more fancier moves and maybe we could incorporate into our music video at the end of the term.

The Basic Camera Moves

Let's look at the basic moves that are used in every video and film production, from those used by your wedding videographers to those used by Spielberg himself. Our pictorial examples show a videographer using these moves with a hand-held technique, but they apply best to tripod and dolly use.

Tilt: Moving the cameras lens up or down while keeping its horizontal axis constant. Nod your head up and down - this is tilting.

Pan: Moving the camera lens to one side or another. Look to your left, then look to your right - that's panning.

Zoom: Zooming is one camera move that most people are probably familiar with. It involves changing the focal length of the lens to make the subject appear closer or further away in the frame. Most video cameras today have built-in zoom features. Some have manual zooms as well, and many have several zoom speeds. Zooming is one of the most frequently-used camera moves and one of the most overused. Use it carefully.

Pedestal: Moving the camera up or down without changing its vertical or horizontal axis. A camera operator can do two types of pedestals: pedestal up means "move the camera up;" pedestal down means "move the camera down." You are not tilting the lens up, rather you are moving the entire camera up. Imagine your camera is on a tripod and you're raising or lowering the tripod head (this is exactly where the term comes from).

Dolly: Motion towards or motion from. The name comes from the old "dolly tracks" that used to be laid down for the heavy camera to move along - very much like railroad tracks - in the days before Steadicams got so popular. The phrase dolly-in means step towards the subject with the camera, while dolly-out means to step backwards with the camera, keeping the zoom the same. Zooming the camera changes the focal length of the lens, which can introduce wide-angle distortion or changes in the apparent depth of field. For this reason, it's sometimes preferable to dolly than zoom.

Truck: Trucking is like dollying, but it involves motion left or right. Truck left means "move the camera physically to the left while maintaining its perpendicular relationship." This is not to be confused with a pan, where the camera remains firmly on its axis while the lens turns to one direction or the other. You might truck left to stay with a pedestrian as she walks down a street.

The Fancy Camera Moves

Now that you understand the basics, here are few more advanced moves. Some of these usually require the use of a steady device and one or two crew members to execute smoothly.

Handheld Shooting: Sometimes the action is moving too quickly or too unpredictably for the camera to be on a tripod. This calls for making the camera more mobile and able to follow the action of a scene. Most times the camera will simply be held by the operator, who will then employ a number of basic camera moves by moving the feet - trucking in and out, dollying in one direction or another, tilting, panning, zooming - and combinations of all of these.

Floating Cam or Stabilizing Shot: The Steadicam was invented in 1971 by Philadelphia native Garrett Brown. Famously used in the jogging sequence in Rocky and extensively with exceptional effect in the Kubrick masterpiece, The Shining. It uses a series of counterweights (and gyroscopes on more-expensive models) to keep a handheld camera's motion very smooth. Although the term "Steadicam" is used often, this is a trademark name belonging to the Merlin company. Similar to Kleenex for tissues, we call the devices that are non-Steadicams "stabilizers". Stabilizers for the small-business video producer are plentiful, much more affordable and are widely used today.

Crane/Jib: A crane can be used to lift a camera (and operator, if it's big enough) from low to high shooting positions. Less expensive jibs can support the weight of a camera and lift it several feet off of the ground. Sometimes called a boom, but the boom term usually applies to the device that holds a microphone aloft.